World English
United Kingdom
United States
Go to

Rogues' Gold

How to buy this book

You can purchase or order books at local bookshops, or online booksellers that deliver to your area.

If you have difficulty buying Usborne books where you live, please contact our International sales and marketing department.


Internet safety

Children, make sure you follow these three simple rules when using the internet:

  1. Always ask an adult's permission before using the internet.
  2. Never give out personal information, such as your name, address, school or telephone number.
  3. If a website asks you to type in your name or email address, check with an adult first.

For more tips, see Internet safety for children.

Adults - we recommend that children are supervised while on the internet. The content of a website may change at any time and Usborne Publishing is not responsible for content on sites other than its own.

For more on internet safety, see Internet advice for adults.

Using a tablet or smartphone?

Websites with interactive content may not work on your tablet or smartphone, but you can view them on a computer. Find out more…

About this book

Elizabethan Mysteries
Rogues' Gold

  • An exciting adventure mystery set in the cut-throat world of Elizabethan England.
  • After a varied career, John Pilkington began writing radio plays in the 1980’s, followed by theatre plays, television scripts for the BBC and a non-fiction book, before writing Rogues’ Gold, his first children’s book.

When boy actor Ben Button’s fellow players are accused of stealing the priceless Lodovico plate, he sets out to save them from the shadow of the hangman’s noose. Who really stole the plate, what secret does it hide and how can Ben reveal the truth?

Read an extract

Rogues' Gold

Chapter One

The hardest thing Ben Button had to do that morning, was say goodbye to Brutus.

Ben climbed up onto the cart, and sat beside his master, John Symes, on the driver’s bench. He had already said goodbye to John’s wife and daughters. They understood that John, Ben and the rest of the company would only be away for the summer. But Brutus was a dog, who didn’t understand it at all.

Brutus stood outside the Symes’s house, on the corner of Hog Lane, his tail and ears drooping sadly. John shook the reins, and the cart began to move off. Brutus watched it roll away down Bishopsgate Street towards the city.

Ben was excited about going on tour for the first time, but the thought of leaving Brutus brought a huge lump to his throat. The old hound had been his friend since he’d first come to live at the Symes’s house last winter. To leave him behind was almost more than Ben could bear. He bit his lip.

Soon they would pass under the stone arch of Bishopsgate and enter the city, and the house would be lost to sight… Ben looked back, and his heart thumped. Brutus was still there in the distance, watching the cart disappear. Before he knew what he was doing, Ben raised his hand and waved. And it seemed to him that the dog lifted his head, as if to show that he understood and didn’t blame Ben too much after all. Feeling a little better, Ben turned and stared ahead at the horse’s back.

Ben Button was a boy actor. He had been apprenticed to his master John Symes six months ago soon after his twelfth birthday. John was a fine character actor, and the chief musician of Lord Bonner’s Men, who considered themselves the best acting company in London. To Ben, John was like a father: the father he no longer had, since Peter Button had died three summers ago, leaving Ben’s mother struggling to bring up her three young children alone. Then, one day, John spotted Ben singing and dancing at a village summer fair. He knew at once that Ben’s future lay with the stage, and Ben’s mother agreed to an apprenticeship. Since then Ben had become close to John, as he had to all the actors of Lord Bonner’s Men. They were like family now, and he wondered for a moment when he would see his real family – his mother, brother and sister – again.

Lord Bonner’s troupe usually performed in any one of the open-air theatres that stood outside the city walls, north and south of the River Thames. But now with the summer coming on, everything had changed: the theatres were closed, and the acting companies had to look elsewhere for work, so Lord Bonner’s Men were leaving London and going on tour. They were heading south, into Surrey. Ben had never been so far away in his life. It scared him a little – but it excited him, too.

The cart rattled on the cobbles as they rolled under Bishopsgate. Although it was still early morning, with the sun just beginning to climb above the rooftops, there were a lot of people about: carters and peddlers coming in to sell their wares, servants and housewives with covered baskets hurrying to the markets to buy. Ben, who came from the sleepy village of Hornsey a few miles north of London, where his father had been the blacksmith, always found the city a noisy, crowded place. And in the theatres, the crowds were at their noisiest and rowdiest: a mass of laughing, shouting, disorderly people. The first time he had stepped onto a stage, Ben had been terrified. He thought of it as they passed by the Cross Keys Inn in Gracious Street, which had a stage in the yard where the company sometimes performed. But now that he was a seasoned performer, Ben could smile about it. The theatre was his life, and he wanted no other.

To his left he could see the Tower of London, looming above the houses. He glanced at John, who was holding the reins and had said nothing since they left the house. John turned to him with a kindly look.

“He’ll still be there when we get back,” he smiled. “Brutus, I mean.”

Ben nodded. The noise of the city filled his ears, as they rattled down Fish Street Hill. He saw the huge bulk of London Bridge ahead.

Emerging from the southern end of the great stone bridge, John drove the cart past the church of St. Mary Overies and halted. Here on Southwark shore the houses soon gave way to fields. The countryside of Surrey stretched away southwards.

There was a shout. A group of garishly dressed men stood some yards away, surrounded by a heap of baggage: chests of costumes and props, bundles of curtains and bits of scenery. A smile spread across Ben’s face. The four actors waiting by the roadside made up the remainder of Lord Bonner’s touring company. Excited, he clambered down from the cart to greet the first of them, a grinning, handsome man with long auburn hair, who stepped forward, picked Ben up and lifted him into the air.

“Hey, put me down!” Ben shouted, though he was laughing.

Hugh Cotton, the company’s leading player and sword-fighting expert, set him down and pointed to the baggage. “Very well, Master Ben – but you’d best get to work!”

Ben helped with the loading as the company gathered about the cart. He struggled to lift a chest, and was frowned at by the oldest of the men, grumpy Will Sanders. Will was their jack of all trades: cook, prompter and supporting player, who took any parts that needed filling, from servants and soldiers to old men. Some said he looked better in a gown and a long grey wig than he did in his normal clothes.

“This trip’s doomed – I hope you know that.”

Ben turned to find himself looking into the gloomy face of Solomon Tree, the tall, spindle-thin actor who specialized in comic roles. The first time he heard that, Ben thought the company were having a joke with him. Later on, he came to know better. Onstage, Solomon was a hoot; off it, however, he was hard work – that is, until Ben found a way to deal with him.

“Why is it doomed, Sol?” he asked in an innocent tone.

“A feeling in my bones…” Solomon shook his head slowly. “Heard a barn owl last night, behind my lodgings – no good can come of that.”

Ben caught the twinkle in John Symes’s eye as he passed by carrying boxes, but kept his face very straight. He let out a gasp. “A barn owl’s bad enough – but are you sure it wasn’t a loger owl?”

Solomon frowned at him. “Loger owl? Never heard of it.”

Ben put a hand to his mouth. “We have them in the country, where I come from,” he said in a voice of awe. “The old folk are terrified of them… They say they bring doom on anyone who hears them.”

“No…” Solomon rubbed his stubbly chin. “It was a barn owl, I swear – couldn’t be a loger.” He gulped. “Could it?”

“I hope not,” Ben answered gravely. “Otherwise I don’t know what might happen.” Over Solomon’s shoulder he saw the others watching, trying not to laugh.

Solomon was looking quite worried now. “What sort of doom do they bring?” he asked.

Ben sighed and shook his head. “It could mean a dog’s about to bite you,” he said. When Solomon looked blank-faced, he added: “If you hear a low growl… Loger-owl, low growl. See?”

There was a snort of laughter. Solomon looked round to see the others grinning, and understood.

“That was cruel, young Ben,” he said, shaking his head. “You had me worried.”

Ben smiled, then looked apologetic. “Sorry, Sol. It was—”

“It was too easy.” The last member of the company interrupted, putting a hand on Solomon’s shoulder. He was a little, nervous man called Gabriel Tucker, who specialized in villain’s roles. Ben had found it harder to get used to Gabriel than any of the others – especially the way his nervousness suddenly disappeared the moment he buckled on a sword or dagger.

“You never learn, do you?” Gabriel said. “You fall for Ben’s puns every time.”

The comic nodded. “Every time,” he agreed gloomily. “Perhaps he should try my job, and match wits with the audience.”

Ben shook his head. “I couldn’t do what you do,” he began, then yelped. Solomon had yanked him off his feet and was holding him upside down.

“There’s a horse trough across the road,” the comic said. “Seems to me you could do with cooling off…”

“No!” Ben kicked and squirmed like a rabbit. “Don’t…”

There was laughter from the others, until John called a halt to the horseplay. “The sun’s climbing,” he said. “And we’ve a long walk ahead. Shall we make a start?”

Solomon lowered Ben onto the grass. “That’s paid you,” he said, his gloomy expression back in place. “Next time it’s the trough.”

“I’ll remember,” Ben said as he scrambled nimbly to his feet. But he was already grinning to himself. It wouldn’t be long before he thought up another trick to play on Solomon.

The loading completed, they stepped into the roadway, while Will Sanders climbed onto the cart to take his turn at driving. He shook the reins and began to ease the carthorse forward. The old, chestnut-coloured horse was named Tarlton after a famous comedian who had died a few years before. It was another of the players’ little jokes.

But as the company started on their way, there came a last word from Solomon Tree. “I still say the trip’s doomed,” he muttered. “Owl or no…”

The Surrey countryside rolled by all day, in the warm haze of early summer. Through woods, fields and small villages – Streatham, Tooting, Malden – Lord Bonner’s Men tramped the dusty road, heading south-west towards the Downlands. The actors walked in front, while the cart brought up the rear. With only brief rest stops to take some bread and ale, and to feed and water Tarlton, they covered twenty miles, which seemed to Ben a huge distance. By evening London was far behind. As the shadows lengthened the players splashed through a small stream, climbed a hill and halted, all of them footsore and weary. Ben was sitting on the cart beside Will, falling asleep, when John’s voice from ahead made him open his eyes.

“This brook flows into the River Mole,” he called out. “That’s Bowford Manor ahead. The town of Cobham’s only a mile or two beyond.”

Ben sat up and peered forward. In the distance he could make out a large stone house surrounded by outbuildings. Closer to, he could see horses in a fenced paddock. He knew Bowford Manor was the first stop on their tour – their patron Lord Bonner had arranged it. Though after that, the company would have to take their chances at the towns and villages along the way. Some would make them welcome, while others might not. It was a precarious sort of life, being a player.

Hugh looked back towards the cart with a grin. “How does supper and a soft bed sound?” he asked cheerfully.

The others brightened, and set off down the slope towards the welcoming sight. Wide awake now, Ben turned to Will, who sat hunched over the reins.

“Who’s the master of Bowford Manor?” he asked.

Will grunted. “Sir James Howard,” he answered. “One of the richest men in the county. They say he’s quite a favourite at court.”

Ben was quiet. Talk of Queen Elizabeth’s court always bored him. Though he had caught glimpses of the Queen several times in her royal barge on the River Thames, he had never seen her close up. He knew, as most people did, that she was a gifted and clever woman, who had many suitors but had never married. Like her father, King Henry VIII, she loved music, sports and dancing, and she spoke several languages. She also loved the theatre, and Lord Bonner’s men had hopes that soon they would be called to entertain at one of her palaces. But apart from talk of the Queen herself, Ben seldom understood the gossip he overheard in theatres. It was usually about politics: who was in favour at court and who was not. He heard it mainly from the richly dressed gentlemen who sometimes sat on the stage, scoffing at the actors. Fetching stools for such people was the only part of his work Ben truly disliked. He hoped Sir James Howard’s household was not like that.

Ben was about to ask Will another question, when from somewhere to the right came the blast of a hunting horn. The players stopped in surprise as a large deer crashed through the bushes, skidded into the road and veered away up the slope from where they had come. As it disappeared over the ridge, two riders appeared on sweating horses, in hot pursuit. But seeing the startled troupe of travellers and their cart in the way, the pair drew rein and halted.

The first was a bulky man with a black beard, wearing fine hunting clothes of dark brown and a feathered hat. Ben’s eyes widened: surely this was a knight or earl – perhaps Sir James Howard himself? The big roan horse with its tooled harness suggested a man of wealth and status. As if to confirm this, the rider spoke up in a loud voice – which was far from friendly.

“What rabble is this?”

He sat his horse and stared at the players in their bright clothes. Hugh Cotton wore a duck-green doublet with the sleeves slashed to show the yellow silk lining, whereas John Symes favoured sky blue and a cocked hat to match. Gabriel’s bright red cloak was slung over his shoulder and Solomon wore his customary red and yellow comedian’s suit, next to which Ben’s maroon doublet and baggy breeches appeared quite plain. Only Will, in his shirtsleeves, looked ordinary.

“I asked who you are!” the rider barked. “I’m not accustomed to having to repeat myself.”

John stepped forward and removed his hat. “Lord Bonner’s players, at your service, sir,” he replied, and made his bow. “We are come to entertain Sir James Howard, at Bowford.”

The man frowned. “I’m a guest at Bowford,” he said. “And I know nothing of any players…”

At that, his companion eased his horse forward. He was an older man in plainer clothes, who took off his hunting cap to reveal a shining bald head. He looked down at John and the others and smiled. But to Ben it seemed an odd sort of smile; neither warm nor friendly.

“I’m Thomas Bullen, steward to Sir James,” he said. “We did not expect you until tomorrow. You must have made good progress.”

Lord Bonner’s men began to relax. Players like them were always at risk on the road, which is why they had to have papers from a nobleman proving that they were authorized to travel and provide entertainment. Otherwise they could be arrested as rogues and vagabonds and thrown into jail, or even worse.

“We left London early, sir,” John answered. “We have indeed had a hard day’s march…”

“Then you’d better follow me down to the manor,” Bullen replied. “A chamber is ready for you, I believe – and if you speak kindly to the cook, he will no doubt find you something to eat…”

He turned to his companion, who was growing impatient. “Sir Ralph,” he began, but the haughty man tugged hard at the rein, making his horse jerk its head in alarm. Ben found himself disliking this noble personage more by the minute.

“I’ve a deer to hunt, Master Bullen,” the man retorted. “And I have been delayed long enough!”

And with that he dug his heels into the horse’s flanks and galloped away. In a moment he had ridden over the crest of the hill and out of sight.
Thomas Bullen turned to the players. “Sir Ralph has had a poor day’s sport,” he said smoothly. “He’s a man who takes his pleasures seriously. Now…” He gestured towards the distant house. “Shall we proceed?”

The players nodded, and began the last part of their journey. But as Will started Tarlton forward, Ben found his eyes resting upon the bald-headed steward ahead of them. Ben wasn’t quite sure why, but he disliked Master Bullen, even more than the angry-looking Sir Ralph. Then he decided it must be the man’s smile: it reminded him of the grinning jaws of a hunting dog, before it stoops for the kill.

John Pilkington

John Pilkington

John Pilkington worked at various jobs – in a factory, in offices, in a research laboratory, on a farm, and as a rock guitarist in several bands – before realizing he wanted to write. He took a degree in Drama and English, acted and directed in a theatre company touring schools, and then began his professional writing career with radio plays in the 1980s.

He has since written plays for the theatre and television scripts for the BBC. He is also the author of a series of historical crime novels, and a non-fiction book, "A Survival Guide for Writers". "Rogues’ Gold" is his first children’s book.

Visit the author’s website,, for more information.

Press Reviews

Boy actor Ben Button sets out to save his fellow players from the shadow of the hangman's noose in a mystery adventure story that will entice readers with its colourful characters and authentic historical setting. With the Tudors being a focus of the KS2 history curriculum it is always a pleasure to find stories which provide good solid historical facts whilst maintaining their integrity as a well written piece of fiction. This story is a rip-roaring adventure story with the young hero very much the centre of events. Whilst visiting Bowford Manor he and the rest of the 'Players' that he belongs to are caught up in the remnants of the plot to kill Elizabeth I and replace her with Mary, Queen of Scots; even though this is set well after the execution of Mary. The author has managed to blend the adventure with a feeling of accuracy in his background and particularly in the differentiation between the rich and poor; he is a worthy successor to the likes of Cynthia Harnett and Rosemary Sutcliff who were so central to my own love of history.

Help with links

Problem with a link?

Websites do occasionally experience problems. If a link isn't working we recommend leaving it a while and trying again. If the site is still down the following day please report the problem using our contact form. We will fix the problem as soon as possible, or find an alternative link.

Can't see any links?

If this is the first time you have used Usborne Quicklinks and you can't see ANY links, you may need to adjust your web browser settings. To find out how to do this, see Help & Advice.

Missing link?

The links in Usborne Quicklinks may vary slightly from those described in your book because when a website closes down, or we find a better site, we update the links in Quicklinks. (If we remove any of your favourite sites let us know!)

PDF links

To view and print out files in .pdf format, you need the free Adobe Reader software. Download Adobe Reader.

Sound files

Sound files should play on a computer, tablet or smartphone. If you have difficulty, make sure you have the most up-to-date version of your web browser, or on a desktop computer, download the latest version of Adobe Flash Player (see Technical help).

Midi files

To hear midi files, you need a free program such as Windows Media Player, Real Player or Quicktime. Make sure your speakers are switched on! For more about these programs, see Technical help.

Also by John Pilkington

© Copyright 2020 Usborne Publishing. Web design & Development by Semantic